i know that my redeemer liveth, handel music notes, e flat major

In the late 20th and early 21st centuries, the trend has been towards reproducing a greater fidelity to Handel's original intentions, although 'big Messiah' productions continue to be mounted. In other efforts to update it, its orchestration was revised and amplified, such as Mozart's Der Messias. In the years after his death, the work was adapted for performance on a much larger scale, with giant orchestras and choirs. Handel wrote Messiah for modest vocal and instrumental forces, with optional settings for many of the individual numbers.

In Part III he covers Paul's teachings on the resurrection of the dead and Christ's glorification in heaven. In Part II, Handel concentrates on the Passion of Jesus and ends with the Hallelujah chorus. The text begins in Part I with prophecies by Isaiah and others, and moves to the annunciation to the shepherds, the only 'scene' taken from the Gospels. Instead, Jennens's text is an extended reflection on Jesus as the Messiah called Christ. Although its structure resembles that of opera, it is not in dramatic form there are no impersonations of characters and no direct speech. He turned to English oratorio in the 1730s in response to changes in public taste Messiah was his sixth work in this genre. Handel's reputation in England, where he had lived since 1712, had been established through his compositions of Italian opera. After an initially modest public reception, the oratorio gained in popularity, eventually becoming one of the best-known and most frequently performed choral works in Western music. It was first performed in Dublin on 13 April 1742 and received its London premiere nearly a year later. The text was compiled from the King James Bible and the Coverdale Psalter by Charles Jennens. Messiah ( HWV 56) is an English-language oratorio composed in 1741 by George Frideric Handel.

I know that my redeemer liveth, handel music notes, e flat major